Contemporary Art for your home
Original layered artwork full of colour, texture and joyful detail, created to bring warmth and personality into everyday spaces.

Visit our Open Studio in Jackie’s beautiful purpose-built space near Exton, Rutland — we’re numbers 18, 27 and 28 on the Rutland Open Studios map.

We are mixed media artists and are excited to share a wide range of artwork exploring landscape, botanical forms and abstraction through painting, collage, mark making and other playful techniques.

We love chatting with visitors about our creative process and sharing our passion for art. You will find original works—from bold statement pieces to affordable mini originals—plus prints, cards, and our handmade wearable art brooches.

We’re also joined by Tracy Chamberlain, who creates one-of-a-kind jewellery from her unique glass stones. We look forward to welcoming you to this stunning part of Rutland! Open 5th, 6th, 11th, 12th, 13th September.

LE15 8BA Use this postcode and follow signage.

Jackie Cheetham 07973 911179

Sue Johnson 07525 14233

Tracy Chamberlain 07879537378

Hi I'm Sue

My artwork invites you to linger, to explore its layers, and to discover moments of memory, emotion, and quiet curiosity.

My paintings evolve intuitively through paint, texture and mark-making, creating joyful pieces designed to be lived with and enjoyed every day. I often scratch back through these layers to reveal hidden fragments, echoes of history, memory, and chance discovery. I love repurposing old books and paper ephemera, weaving traces of the past into the present.

Art to Live With

These are paintings designed to be lived with. Pieces that reveal new details over time and quietly lift a room every time you pass them.

Each piece is completely original and created in my studio in the beautiful historic town of Uppingham.

Some paintings are bold and playful, whilst others are quieter and reflective, but all are made with the hope they bring warmth, energy and a little moment of joy into someone's home. whether a statement piece on a wall or a mini piece sitting happily on a shelf.

I enjoy bringing together elements that don’t naturally belong, creating quiet tension and harmony, intrigue and play. Sometimes botanical shapes or vessel forms appear, familiar yet abstract. I search for harmony in contrasts: the seen and the hidden, the deliberate and the accidental.

MORE ABOUT ME

What does it take for two artists to hang a show?

Quite a lot more than you might think! 😂

Here’s the speeded-up version: Jackie being a dab hand on the stepladder while we select work, measure, stand back, rearrange… and often say “No, that definitely doesn’t work there!”

Behind the whizzing around are hours of considering subject matter, colour, scale and size to create a good flow and interest throughout this gorgeous studio.

Luckily, Jackie’s clever hanging system made by her husband — means we can keep tweaking quite easily until everything feels right and it comes together.

We’re nearly there, and we’d love you to come and see us at Northants & Rutland Open Studios, starting this Saturday 5th September.

Just use this postcode LE15 8BA.

Follow the signs when you’re nearby — it’s a beautiful part of Rutland and will be well worth the trip.

This year, @tchamberlain.studio with her unique jewellery is also joining us in Jackie’s adjacent old studio, so there’s even more reason to visit!

Come along, explore the exhibition and see how our work comes together. We’d love to welcome you! And follow @northantsrutlandos for more work from all of the 290 artists taking part.

Wish us luck and we will show you more soon.

Why oh why, do I do this?

It’s nearly our September festival and I am exhibiting with @northantsrutlandos along with @jackie.cheetham and @tchamberlain.studio
It’s not long now , and naturally, I’ve chosen to rescue a canvas that’s been sitting unfinished on my wall for a year… possibly two. 🤷‍♀️

With a million jobs to do, pictures to frame and labels to make, I’ve decided this painting absolutely must be finished first.
Because apparently, last-minute panic is my creative process!

After a lot of frustration, thinking, inspiration from my sketchbook photos, painting, printing, endeavour and decision-making, I finally had to get rid of a few bits I thought were so important and just let the painting do its own thing.

And what it wanted to be was all about a photograph of the most charming little letterbox in a Georgian house just down our historic High Street where we have an apartment that’s our Airbnb— so one I see frequently!

This cute, very small letterbox is a tiny relic from the past, from a time when letters were the main means of communication and could have meant so much to the person receiving them. I’ve photographed it quite a few times over the years. Along with the letterbox, there’s some beautiful handwritten script I used from an old exercise book and fragments of paint and texture echoing our buildings and revealing the layers beneath. And now, finally, it’s done… well maybe.

So I’ll leave it for today… but who knows what I’ll think tomorrow!

Who else is a last-minute kind of person??

EVER WONDERED what happens behind the scenes at this time of year?

You may have seen NROS - @northantsrutlandos brochures appearing everywhere, but behind the scenes we’ve been preparing for months — creating and producing our best work. Now comes the important part: making sure everyone knows about it! 😄

This year, yet again, I’m showing at @jackie.cheetham beautiful studio just outside Exton, Rutland, and @tchamberlain.studio will be joining us with her distinctive jewellery made from glass stones.

Marketing is part of the process, but as these photos show, we’ve also had a lot of fun and laughs putting everything together — both at my home where we exchanged brochures and banners and at Jackie’s studio, where the event will take place.
We don’t take ourselves too seriously and make loads of mistakes doing this, but it doesn’t matter!

Everyone is very welcome, with no obligation to buy. Come along, meet us, and enjoy a stimulating visit in a stunning part of Rutland UK.

All you need is the postcode and a bit of curiosity to see what we do. LE15 8BA Open 5th, 6th, 11th, 12th,13th September.

As Steve Harley said back in the day:
“Come up and see me, make me smile.” 🎶

We would love to see YOU!

Sometimes the smallest adjustments make the biggest difference!

I’ve been working on these landscapes on and off for a few weeks. They were originally inspired by the patchwork of green fields around us, though the view has shifted as we’re now in real need of rain.

It may be on the way, which would be a welcome change!

In the meantime, it’s all about framing, labelling, publicity and pushing everything forward for our @northantsrutlandos Open Studios—just a few weeks away now. Looking forward to sharing @jackie.cheetham beautiful studio and showing work alongside @tchamberlain.studio fused glass jewellery

That final flurry before an exhibition is always the same, and it’s often the smallest tweaks that make the biggest impact.
And of course, it’s decision time with the framing too…!
I’ve been popping them into black frames and, as they have quite a graphic feel, I think they might be just be the job! What do you think?

Of course, I’ll order the white frames too and see what I think. Sometimes you just have to try them both and let the artwork decide… follow along and you can help me decide.
I’ll add it to the very long list…

What do you see here?

They are only small but as I worked into each of these with more layers of ink and paint and scratching back through to previous layers I felt they had a lot to say!

I’ve been thinking about what these little paintings evoke, and I keep coming back to place — rather than a particular place.

There’s something of the coast in them: weathered rocks, old harbour structures, water and distant horizons, but also the traces that time leaves behind. And given our uk heatwave I’d love to be by the ocean right now!

Layers of paint, collage and mark-making suggest erosion, movement and weathered surfaces — fragments of something once familiar, partially uncovered and partially disappearing. I’ve sealed them and waxed them and popped some of them into a soft white mount. Some are mounted into mini panels ready to hang.

Want to see the work in person?
You can come and see these pieces, along with lots more, at our Open Studio this September, where I’ll be showing with fellow artists @jackie.cheetham and @tchamberlain.studio as part of @northantsrutlandos

Or, if you can’t make it, join my mailing list to hear about upcoming exhibitions, studio events, new work and the occasional peek behind the scenes.
Just DM me and I’ll add you.

Breath. Shape. Line … Follow along to see how they are connected.
Perhaps that’s why these forms feel so familiar; they’re not just abstract marks, but quiet echoes of movement, breath and being.
These little pieces are all named after yoga type poses and the feelings they evoke. Shape, breath and movement are so intrinsic to the practice, and I love how that quiet rhythm seems to filter into my work too. For those lovely people that have been following me for a while I’m very much into shapes and texture. A follower recently asked me where I got all my papers from so scroll along to see a super quick monotype method of creating some of my textures that I return to many times.
I use nothing more than a piece of Perspex or glass and scribble into the wet paint. I’m always amazed by the variety of lines and marks it produces, and by how those marks find their way into my designs and compositions.
After that there’s nothing better than playing with cut and torn shapes as a painting slowly evolves.

I’ve just delivered this series and some larger paintings to @form.blom a fabulous designer maker shop that exudes a quiet, beautifully curated design aesthetic and elegant craftsmanship. I am looking forward to seeing them displayed.

If you’re drawn to work inspired by abstract forms and quiet moments, you’ll find more on my website ( link in bio) with my paintings, prints and cards.
Save this post for a moment when you need a little calm! I’m sure we all need that don’t you think?

This was a nice surprise!

Sometimes a collaged painting begins with nothing more than a pile of my painted papers, printed textures and hopeful scraps. Cutting, moving and rearranging, a place slowly reveals itself. I knew it was going to be tree and leaf like like inspired but as it emerged it became more fanciful and less representational. I love surprises do you?!

Somewhere along the way it became an enchanted woodland – not a real forest, but one that exists in memory and imagination, where light catches the leaves and every path hints at a story waiting to be discovered.

That’s one of the things I love most about intuitive collage painting . You don’t always know where you’re going until the work quietly tells you.

And the sides of the canvas had the same attention to detail with collaged papers and textured paint.

Which detail draws you in first?

Original mixed media collage. Available – message me for details. ‘The Forest Keeps It’s Secrets ‘ £125 (inc. Uk p & p)

Every painting carries the memory of the one that came before it.

As I worked on this painted collage, I realised I wasn’t starting from scratch at all. Hidden within these layers are echoes of earlier landscapes, old field studies and colour stories that quietly found their way back into the conversation.

Sometimes a shape survives. Sometimes it’s just a colour relationship, the rhythm of hedgerows, or the shape of leaves and fields. Or a particular printed technique I’ve incorporated. The newer work carries all of that history with it, even when it’s no longer obvious.

I love that nothing is ever really wasted in the studio. Previous paintings continue to feed the next one, evolving with every layer until they become something different but familiar.

Do you revisit old work for inspiration, or do you prefer to leave it behind?

These little paintings are teaching the bigger ones what they want to become.

I think these landscapes have a hot, scorched-earth feel about them… little ones quietly informing the bigger pieces.

With Open Studios on the horizon again, September, @jackie.cheetham and I have plenty to discuss and plan. It’s always so valuable to share what we’re working on and see fresh eyes on the work.

Thanks for your input, Jackie. I came back from my visit and made a few adjustments —it’s amazing how another perspective can help you see what’s been there all along or what doesn’t need to be there at all!
Looking forward to sharing where these end up during @northantsrutlandos

Sometimes I just have to get them out of the studio.

Especially when it’s in one of those gloriously creative states where every surface is covered and there’s barely room to put a cup of tea down. Bringing the work into another room, somewhere a little cooler, and slipping the pieces into beautiful chunky frames gives me a sense of clarity. Suddenly I can see them with fresh eyes.

Earlier, sandpaper was my friend—roughing up edges, scoring lines and uncovering traces of what had gone before whenever things started to feel a little too perfect.

It’s funny how a change of space can completely change the way you see your own work.
Does stepping away from your work help you see it differently too? I’d love to hear what gives you that fresh perspective.

Today was a ‘tinkering’ kind of day.

It was too hot for big decisions, so I turned to a painting that had been quietly annoying me on the shelf. It wasn’t saying enough in some places, and too much in others.
So I started adding, subtracting and sticking.
Back in my printed textile design days, it was always spray mount. I went through cans of the smelly stuff, and health and safety either hadn’t been invented… or nobody paid much attention to it!
These days I use acrylic mediums, and if I had to choose one product I couldn’t be without, it would be acrylic binder. If you scroll to the end, you’ll see the one I use.
It has great adhesive qualities, dries beautifully and works well on wet strength tissue paper from @carnivalpapersuk It’s also much easier to peel off your fingers than gloss medium! Although that’s a second favourite of mine.
If you’ve ever wondered how all those layers stay in place, there’s your clue. People often assume my work has an encaustic finish, but it’s really just carefully built-up layers held together with an acrylic binder. Of course there is a finishing process too with satin varnish and possibly cold wax.
I’m still grateful to @katygarrodart for introducing me to it during a charity postcard event. Some tips really do change the way you work.
So… what couldn’t you be without in your studio?

Do you see things the way I do?

We’ve done quite a bit of driving recently in the English countryside, and what I love most is the panoramic patchwork of the landscape unfolding before me.

I’ve always been drawn to shapes. The way trees create natural borders, roads and footpaths carve dividing lines, and fields become a mosaic of different colours and textures depending on the crops they’re growing. It’s endlessly inspiring.

It seemed only natural to use these little solid blocks to create my own mini imagined landscapes inspired by those views. They’re not intended to faithfully reproduce what I see, but to capture the feeling of it—to let the landscape and the marks I make guide the work rather than dictate it.

I can just about see our Open Studios on the horizon (it is on in September after all!), but preparations are well underway. Expect to see plenty of landscapes… I’m exhibiting with @jackie.cheetham and that’s definitely her thing too but interpreted in our own ways.

I’m sure there’ll be more tweaking, analysing and experimenting with these mini fieldscapes, but my mantra for this series has been: don’t overthink it. See it as part of the painting journey and simply get it down.

I’d love to know… what do you see?

So, what kind of art do you like?

A bit tongue in cheek but follow along, after all we can’t take ourselves too seriously can we??

It’s such a difficult question to answer, but I think we all know when a piece truly grabs us…

We so enjoyed seeing the beautifully curated exhibition today at @tarpeygallery . After lots of chats with fellow artists and the chance to see so much varied and stunning contemporary art, @luke_tarpey asked us what our favourite piece was. I just reeled off a whole list! No help at all 😳

I think Luke will have a hard job choosing the prize winner, but he said it will simply be the piece that excites him most every time he walks into the gallery.

I rather like that way of choosing, don’t you?

And do tag yourself if you see your wonderful art whizz past… sorry if I missed anyone.

So, what kind of art do you like?

It’s such a difficult question to answer, but I think we all know when a piece truly grabs us…

We so enjoyed seeing the beautifully curated exhibition today at @tarpeygallery.
After lots of chats with all the other artists in real life instead of on Instagram and the chance to see so much varied and stunning contemporary art, @luke_tarpey asked us what our favourite piece was. I just reeled off a whole list! So not helpful at all. 😳

I think Luke will have a hard job choosing the prize winner, but he said it will simply be the piece that excites him the most every time he walks into the gallery.

I rather like that way of choosing, dont you??
And please tag away if you see your work come up. This reel is a bit tongue in cheek but best not to take ourselves too seriously don’t you think?

This stunning contemporary exhibition is now open and will be online too so don’t miss it!!

UPDATE both pieces now SOLD 🙏🙏🙏

All I can say is PHEW! What a preview night to remember… I feel very privileged to have 2 pieces selected.

Despite us all melting in the extraordinary UK heat, even after 6pm, we thoroughly enjoyed the wonderful exhibition at @yardleyarts

A huge thank you to the organisers, @pollyparrishpaintings director of @yardleyarts and @sallypennycate as well as all the lovely volunteers and helpers. Sorry I don’t know everyone to thank. They worked so hard to bring together such a fabulous exhibition.
The exhibition runs until 19th July, and all of the artwork is also available to purchase online at
https://www.yardleyarts.org/

We’re especially thrilled with the beautiful slate sculpture we will be bringing home by @helen.wheeler.73113 – it has already found the perfect spot! See if you can spot it on this fast moving collage.

The exhibition is on until the 19th July and in the beautiful village of Yardley Hastings, NN7 1EU

I’d love you all to see it! Or have a look online if you are not local. Stay cool everyone. 😎
https://www.yardleyarts.org/

Good news!
I was delighted to hear that House of Hidden Stories has sold at the wonderfully stylish shop @form.blom in Oakham, Rutland.
What makes this piece particularly special is that it incorporates so many of the processes that have become part of my practice over the years.
Long before they found their way into my artwork, I was using them while renovating houses ourselves—sanding, painting, stripping back, repairing, layering and transforming.
Those same instincts now appear in the studio through collage, tearing, sticking, sanding, glazing and reworking. I couldn’t do without a constant supply of sandpaper!
House of Hidden Stories is built from many layers, each one concealing and revealing something beneath, much like the houses that inspired it. We’ve been renovating houses since we finished Art College, so it’s lovely to know those skills learned along the way have not been wasted.
It’s lovely when a piece carrying so much of your own history finds a new home of its own.
And it’s wonderful to have work showing in such a carefully curated shop, owned by people with an architectural background. Their attention to detail, colour, and beautifully considered collection of furniture, art, ceramics and textiles shines through. Thank you, Adam and Cristina.
Anyone else using skills from previous careers, projects or chapters of life almost every day in their creative practice?

Phew… what a process !

Follow along to the end to see more sticking, more painting, more sanding, and then letting go of control and seeing where it led. Oh yes and the mess left behind too!

Trying a glaze ….

Hope I can get some of this off!

Much better .. wiped a lot of it off but it’s settling into the nooks and cranny’s nicely.

Planning composition- so many decisions to make.

Getting there… should it go down or not?

Looking better in their frames - maybe more tweaking…

Now the reality! The horrible mess left behind.
Does this surprise you?

Can’t face it today! Yuk 😳

Phew nice to get a breath of fresh air and love the colours against the muted limestone flags.
What do you think?

This one gave me the runaround.

It sat in my studio for ages, changing many times along the way. Over the last few days, though, I found a way back into it and gradually started to like where it was taking me. More layered and more botanical.

But today was all about the edges. I painted them in Payne’s Grey, one of the colours used in the collaged papers within the piece. I know they won’t be seen much, but it feels like an important part of the finishing process.

Now I have a framing dilemma and I’d love your opinion…

Soft warm beige or soft white (called “Pure Cotton”)? Both frames are from @easyframe_uk by the way… I’m sure someone will ask that!

This mixed media piece measures just over 23cm square and is £150, including UK postage and packing.
If you’d like this on your wall, it’s available in either !!

Anyway to help my indecision let me know below which colour frame I should use please.

I hated this painting yesterday!

Today, something shifted. I pulled out my painted and printed papers again , softened some of the busy texture, created a few quieter spaces, and now feel much happier.

Sometimes I hate my process too. It involves a lot of sticking, tearing, sanding, glazing, and often painting over areas I’d convinced myself were finished. But that’s how the work finds its balance. Colours and values begin to connect, and what felt chaotic starts to make sense.

I don’t work in neat, linear steps, so there are always sticky fingers, scraps of paper everywhere, which I inevitably lose for periods of time.

The weather here in the UK seems to mirror the process. One minute it’s pouring with rain; the next, the sun is streaming through the skylights, convincing me that summer has finally arrived.
Art, like the weather, can change quickly. Sometimes all it takes is another day and a fresh pair of eyes.

Turn up the volume and you’ll see why I picked this track too! From frustration to possibilities in 24 hours. All part of studio life don’t you think?

Sharing Good News!

I was delighted to hear that two of my paintings have been selected for the @yardleyarts Open 26 namely On Reflection and I -SPY.
I’m a bit late to the party but this was a lovely end to an inspiring busy weekend as we were up in North Yorkshire visiting friends and a few Open Studios.

‘On Reflection’ has always been one of my favourites and as it happens it’s the one I’m holding here at a recent photoshoot taken by lovely Lizzie from @rees.images.
It’s a mixed media piece and explores fluidity and light through layers of ink and collage, evoking both the movement and stillness of water.

The second one is called I-SPY and is a semi-abstract botanical painting inspired by the nostalgic pleasure of searching and finding in the countryside. Layers of collage, printmaking and paint were largely inspired by a vintage I-Spy book I found in a charity shop. Who remembers those dear little books? And of course playing I-Spy in the car!

I’m looking forward to seeing them exhibited alongside so much wonderful work and I know quite a few of the @northantsrutlandos will be with me too so looking forward to seeing it all.

Let me know if you are coming as I’m sure it will be a great exhibition. Starts 25th June until 19th July.

The hardest part wasn’t starting… it was knowing when to leave it alone.

TodayI trusted the process. I let the ink go where it wanted to go, the drips appear if they wanted to and I thanked the wonderfully accommodating watercolour paper for accepting every layer so generously. I tried not to interfere too much.

Sometimes the challenge isn’t knowing how to start — it’s knowing when to stop.

If you make abstract, playful art, you’ll probably understand exactly what I mean?
If you’re a collector and have ever wondered how these pieces come into being, this is a little glimpse behind the scenes and a lesson I was reminded of today. Not everything needs to be orchestrated and forced to do something it doesn’t want to do.

A selection of these postcard-sized abstract pieces will soon be available for a very good cause, while others will be for sale during @northantsrutlandos Open Studios.

Watch this space, or send me a DM to join my mailing list and be the first to hear about upcoming events and exhibitions.

Is this a lesson you’ve learnt too?

Small Beginnings turn into Big ideas.

I am so thrilled to be exhibiting at @tarpeygallery again with ‘Verdant Whisper’ and ‘Birdsong Glow’.

These small mixed media pieces are presented in lovely custom-made black stained wood frames, beautifully crafted by @easyframe_uk .

These mixed media pieces evolved from a return to grid journalling, inspired by @kelleewynne and it’s a super quick way of generating ideas about composition, marks and colour. ( see my previous post a few weeks back about this).
It’s always fascinating how small ideas can grow into something much bigger, with one thought leading naturally to the next.

I have a feeling I’ll return to this way of working again in the future, but for now these pieces are going to be part of a wonderful annual Open Exhibition featuring the work of 122 artists. It’s bound to be another fabulous show which @luke_tarpey curates so skilfully.

If you’re planning a visit to the beautiful @tarpeygallery I’d love to know—let me know if you’re coming! The launch on 27th June will be an exciting event. See you there?!

Looking forward to it and congratulations to everyone else who is showing too.

What if not knowing is actually the best part?

I call it embracing uncertainty!

I love this stage, where ideas and colours are emerging and anything feels possible.

Working in multiples fuels the imagination, and things change quickly. Right now I’m enjoying a warm studio, shadows and floral and vessel shapes, and not knowing how it will all resolve.

A buyer recently asked if a piece was planned out, and completely understood when I explained how intuitive and playful my process is.

Follow along and see what happens to these panels over the next few weeks… I’m sure there’ll be a few surprises. What’s your favourite stage if you are a creator? And if you are a collector do you like seeing the process?

Oh and don’t forget to enjoy the sunshine!

It’s all about CONNECTIONS …read on if you agree.

The best part of creating? When a piece deeply connects with someone else.

I’m always thrilled when a piece of work truly connects with a buyer and becomes the perfect painting for a particular space that they were searching for.

‘Haze of Serenity’ is now on its way to a new home, thanks to @cocointeriorsltd for bringing the painting and its new owners together. And Thankyou @form.blom for showing my work in their beautiful retail space in Oakham, Rutland where Debbie from @cocointeriorsltd first saw my work.

This multi-layered panoramic semi abstract piece celebrates nature, texture, and atmosphere and was initially inspired by our rambling allotment and the beautiful way nature quietly takes over.

I loved building up the layers in this piece using transparent papers, photography, and spontaneous mark making to evoke that sense of nature entwining, wandering, and growing exactly where it chooses.

So it’s off on another journey soon where I hope it will be very happy!

Art has a way of finding where it belongs. Don’t you think?

Funny how the brain works isn’t it?

Plenty of very important things to do… yet suddenly covering a sketchbook with saved papers, envelope linings, monotype painted papers and using my favourite paper punches became absolutely essential.

Productive procrastination at its finest. And yes I know I’m mad!

Completely unnecessary. Completely satisfying.

And if you turn the sound on the audio track says it perfectly!

TRY THIS!

‘Chunk it up’
My granddaughter has been using the expression “chunk it up” while learning to read — breaking things into manageable pieces and just starting somewhere. Such a lovely phrase don’t you think?

I realised I’d been doing exactly that with some vases, bowls and vessels or whatever you like to call them.No grand plan. Just a way to start.

So today I was just snipping into papers I’d recently painted, printed and made, then seeing what wanted to happen next.

Who knows how they’ll eventually be used, but “chunking it up” feels like a pretty good way to begin anything creative don’t you think?

I hadn’t done this for sometime!

I love it when the little ones inform the slightly bigger ones and going back to grid journaling which I did quite a bit of a few years ago really got me in the landscape zone.
It was @kelleewynne that got me started so have a look at hers. I’d recommend it as a no pressure activity if you just want to play with shape, colour, form and generate lots of ideas.

Now back to putting some of the ideas into use and extend the little group on cradle panels I’ve started.
And by the way my motto is when I’m creating grids using collage bits and pieces is just ‘don’t overthink it.’ If you pick something up cut it, tear it and stick it down! Otherwise it goes in the bin.

Anyone else done a grid exercise recently?
And if you want to see a few more grids happening tap the video to see a linked reel with @jackie.cheetham we made from a few years back.

.pro-gallery-wix-wrapper {display: block !important;} .pro-gallery-wix-wrapper .gallery-item-container {opacity: 1 !important; display: block !important;}

Contemporary Art for your home Original layered artwork full of colour, texture and joyful detail, created to bring warmth and personality into everyday spaces.

​

Follow me on Instagram for a behind-the-scenes look at my studio. Join me for updates on works in progress and newly finished paintings.

Contemporary Art for your home
Original layered artwork full of colour, texture and joyful detail, created to bring warmth and personality into everyday spaces.

Follow me on Instagram
for a behind-the-scenes look at my studio. Join me for updates on works in progress and newly finished paintings.